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Profile: Isaac M. Singer: Inventing A Commercially Viable Sewing Machine, Igniting a Revolution in Fashion

Improving the sewing machine and bringing it to mass market, Singer helped countless women and tailors start their own businesses and altered the garment industry forever

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“All the world’s a stage and all the men and women are merely players. They have their exits and their entrances; and one man in his time plays many parts.”
— William Shakespeare, As You Like It (Act II, Scene VII)

The invention of the Singer sewing machine was revolutionary, changing the way clothes were made, accelerating the entire process of creating garments and spurring a new industry of fashion. In the 1850s, when the average American income totaled $500, Singer sewing machines were selling for $125 and people were buying them. By the time Isaac Singer passed away at the age of 1875, his Singer Corporation turned a profit of $22 million a year, according to Time magazine archives. While Singer did not invent the sewing machine, he modified the original machine created by Elias Howe so that it worked better, patenting his own model Patent No. 8,294 on Aug. 12, 1851 - one that was commercially viable and instantly adopted.

Everyone wanted a Singer sewing machine — from the Wright brothers who used the machine to create the covering for their first airplane wing to the Russian Czar Alexander III, who enlisted his soldiers to make 250,000 tents using Singer sewing machines for the Russian Imperial Army.

Wood engraving image of Isaac Merrit Singer's first sewing machine, patented 1851. Photo via Universal Images Group / Getty Images.

Wood engraving image of Isaac Merrit Singer's first sewing machine, patented 1851. Photo via Universal Images Group / Getty Images.

When Singer first strode into Orson Phelps’ machine workshop in Boston in July 1850, he was intent upon carving his way into the book publishing industry. Penniless at thirty-eight, Isaac Merritt Singer, the eighth son of impoverished German immigrants, was a man particularly bent upon achieving success. Born on October 27, 1811, in Pittstown, New York, Singer worked as a mechanic, cabinetmaker, actor and formed his own theatrical troupe, “The Merrit Players.” Passionate and driven, Singer easily won the affections of many. At six foot five, with thick reddish blond hair and a beard, a strong countenance, commanding gaze and penchant for witty prose, Isaac Merritt Singer was flamboyant and charming; a man that you could not easily forget.

However, he had a lot on his plate. Married twice and father to five young children, Singer had plenty of mouths to feed and little money in his pocket. Realizing he needed steadier employment, Singer went to work at a manufacturing plant in Fredericksburg, Ohio for a wooden type for printer. He instantly saw the need to have a better method of carving and so he improved upon the existing model.


An Abundance of Talent and A Hardworking Ethic

While Singer charmed audiences, he was also bursting at the seams with talent. His heart lay in the theater and publishing, but he did not have the luxury of following his heart’s desire without an income. He had however a gift for mechanical inventions and returned to his brother’s machine shop in Oswego, New York were he had apprenticed at the age of twelve. Singer was not afraid of working hard and to the bone where necessary. His own childhood had been one of stark deprivation, had work and perseverance in the midst of continuous change. The eighth child of immigrant Germans from Saxony, Singer had worked from an early age and did not attend school apart from the winter time. His parents Adam and Ruth had divorced when he was ten years old, after which he had gone to live with his brother and where he learned to work diligently with machines.


A Love of Tinkering Leads to Early Mechanical Inventions

In 1839, Singer invented and patented a rock-drilling machine used for excavation while working with his brother as a laborer on an Illinois waterway. The invention paid him two thousand dollars — more money than Singer had ever earned before, toiling away inside the machine shop. Taking his earnings, Singer happily decided to form his own traveling troupe called “The Merritt Players” and acquired a covered wagon, traipsing around the country, living and working out of his home on wheels. On one such journey, he met Mary Ann Sponseler, seven years his junior in New York. They fell in love and Singer invited Mary to join him as his partner.

Pursuing his strong theatrical yearnings offered Singer an outlet for his exuberant personality and his penchant for adventure and travel. Despite his efforts, his stint at theater led him nowhere. By 1850, after his affairs, Singer had two wives and five children to support. The pressure to prove himself and to succeed financially. Determined to overcome any setbacks and to build a strong foundation for his family and himself, Singer developed an insatiable hunger for success. His innate passion and drive served him well. Singer threw his full weight behind his goal. Success was not overnight. In fact, he labored long and hard at his brother’s machine shop after abandoning his theatrical career.

Renting two small rooms on 120 East 27th Street in Boston, where he housed Mary Ann and their growing brood, Singer was desperate for both work and success. A friend and supporter, George Zieber, who worked in the publishing industry, gave Singer ten dollars a week for sustenance. Zieber believed in Singer’s newest invention, a cutting machine that could cut wood blocks to print images out of wood and metal. Singer’s first prototype built in New York was unfortunately consumed in a boiler fire that erupted in his rented studio. After sinking in a few thousand dollars into this machine, with no interested investors or merchants in sight, Singer was a volcano on the brink of eruption.

Hearing about Singer’s plight, Orson Phelps invited Singer to visit his machine studio at 19 Harvard Place to build a new cutting machine. Upon Singer’s arrival however, Phelps proposed something quite different. He asked Singer if he could improve his existing set of sewing machines. At first the feisty and hot-tempered Singer was outraged. He had poured his money and his heart into a machine that he considered far superior to the simple sewing machine!

Phelps was desperate for help. He had acquired one hundred and twenty Lerow & Blodgett sewing machines. The machines however would frequently stop working as the sewing mechanism in the machines had sudden, frequent stops in thread, forcing the user to stop frequently and rethread the machine many times. Sewing thus was agonizingly slow and painful. Phelps wanted Singer to repair the machines.


Acting Upon Opportunities That Present Themselves

Standing in a room full of Lerow & Blodgett sewing machines, Isaac Singer surveyed the area with interest. Acting upon an opportunity that presents itself is perhaps the definitive sign of an entrepreneur. As Silicon Valley veteran entrepreneur Guy Kawasaki said aptly in his book Rules for Revolutionaries, “A good starting point for revolutionaries is to find fault with existing products and services and then do something big to improve them.”

The necessity of needing income to survive and the urgency of Phelp’s request for help, galvanized Singer into action. Instead of just repairing the machine though, Singer borrowed forty dollars from his friend Zieber and set to work. Working day and night, within a period of eleven days, Singer designed an improved model that had a straight needle going up and down instead of the previous curved needle. The new vertical needle also had an eye that could be threaded with a bobbin. Other features included an overhanging arm holding the needle bar over a horizontal table. By pressing a foot pedal and turning a wheel attached to the side of the machine, you could activate the needle that went up and down, continuously stitching cloth held in place on the smooth wood surface painted black with an elegant Art Deco swirling motif.

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Paying Attention, Listening and Adapting

Singer’s initial attempts would not last, as the stitches kept falling apart. Frustrated, Singer wondered why it would not work. He had built a useful machine. Singer pondered the question for a long Tim and on the eleventh day, he came up with a solution. He realized that the machine was not faulty, but rather the amount of tension applied on the thread. By adjusting the tension of the thread, Singer was able to stitch together two pieces of cloth seamlessly without the thread snapping. Delighted, Isaac filed for a patent the next day, September 29, 1950. He continued to refine the machine, releasing new models in subsequent models.

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While Isaac Singer did not invent the sewing machine, he improved upon the existing model and brought the machine into popular use. He also laid the groundwork for many entrepreneurial efforts to come through his company, influencing social change. For centuries, human beings handcrafted clothing, armament and bags from animal hides and plant materials, employing sewing needles fashioned out of bones or animal horns and head of animal sinew. It was only in the fourteenth century that the iron needle was invented and it would take another hundred years before eyed needles came into common circulation. All sewing was done by hand and sewing remained an act of individual craftsmanship until Singer brought the sewing machine into popular use.

Betsy Ross sewing the American Flag, 1776

Betsy Ross sewing the American Flag, 1776

Changing an age old tradition where women sewed all clothing at home by hand would require not only a handy invention that could replace or simplify human effort, but also need to be cost effective for husbands to consider purchasing the equipment for their wives. Labor at home was free and hence most husbands would not justify purchasing a sewing machine for the hefty sum of one hundred dollars apiece. This was less than the original price of the sewing machine designed by Elias Howe at three hundred dollars, that was out of reach for most Americans.

While his initial foray into the sewing machine industry was not an easy ride by any means and took several jumps and starts to get going, Singer did not give up. He adapted, paying close attention to what his customers wanted. He also did not hesitate to act and to put his work in front of people to gauge their reactions and to get their feedback even before his product was ready to market and ship.


Reducing the Cost of Sewing Machines to Make Them More Affordable

Despite his innovation, Singer’s new sewing machine failed initially to muster support with women at home and in tailor shops. Isaac however did not give up. He knew he was almost there. Harnessing the power of the technology of his time, Singer went about finding a way to reduce the costs of manufacturing significantly. The Industrial Revolution had spurred the growth of mass production for firearms with interchangeable parts. Recognizing the potential in these methods, Singer immediately invested in machinery that could produce sewing machines with interchangeable parts on a massive scale by 1857. Within one year, he reduced production costs down to ten dollars per machine. Now he could sell his machines for forty dollars, less than half their previous cost, while making more than a five hundred percent profit on each machines.


Offering A Convenient Payment Plan

Having successfully reduced the cost of the machine, Singer still had to convince women to buy his machine. No one was willing to put down forty dollars for a sewing machine right away. Hence he came up with a new Hire Purchase Plan where a lady could take home a machine for a mere five-dollar down payment and then pay him three dollars a month subsequently every month till the machine was paid for. Drawing upon his own theatrical skills, Singer held demonstrations of his machines, enthralling crowds while he sent salesmen all over the continent and into Europe to demonstrate his new machine. He also invested in an office and sewing factories in Paris and Rio de Janiero, building one of the world’s first multinational companies.

The Singer sewing machine became an instant success. Women could make clothes at home much faster and easier. The garment industry was forever changed as apparel could now be manufactured far more quickly and a new method of earning an income as a seamstress, tailor or clothing designer, was born.

A determined Isaac Singer had taken an opportunity that lay before him and converted it into a money making enterprise, harnessing the tools of his day and all the learning and experience that he had acquired as an actor, a machinist and a person in tune with what people wanted. Through the singular act of redesigning a sewing machine and putting it out on the mass market, he paved the way for the creation of a new clothing industry.


Perservering

What would have happened if Singer had failed to act on his opportunity or if he had given up when he had faced the obstacles of the destruction of his print cutting machine, high cost of manufacturing and social barriers? Singer could have succumbed to the weight of his own personal problems just as easily. Yet instead, he not only worked within the constraints of his own personal life, but he focused and used those constraints as emotional motivation to succeed. He creatively employed the technologies of his time to overcome the next barriers he faced after creating his invention, to market and sell his product. Failure was never an option for Singer.

“Every adversity, every failure, every heartache carries with it the seed of an equal or greater benefit.”
— Napoleon Hill, self-help author

References:

Kawasaki, Guy. Rules for Revolutionaries: The Capitalist Manifesto for Creating and Marketing New Products and Services. New York: Harper Collins. 1999. Pg. 34-5.

 
tags: Isaac Singer, sewing machine, Invention, industry
categories: Profiles
Sunday 11.15.20
Posted by Elf
 

Standing on the Shoulders of Giants: Understanding How Progress Happens and Creating a Culture of Creativity

Manifesting Ideas Into Reality From Florentine Bottegas to Studios, Labs and R&D

Image of ‘Tony Stark’ in the Iron Man (2008), by Marvel

Image of ‘Tony Stark’ in the Iron Man (2008), by Marvel

Next to a roaring furnace, a tall and muscular man is hard at work. His face is sweaty and his brow is furrowed in concentration as he pounds hot metal pulled out of his forge with large tongs. Sparks fly off the metal that glows bright orange and fiery red. Occasionally, a spark will touch his skin, but he does not flinch. Every muscle in his arms is put to work. With precision, he warms wrought iron pieces to almost a white heat and then hammers them together, welding them fast into one indistinguishable piece. Again and again, he repeats the process until he has fifty matching railings, all exquisite in their design and craftsmanship. As he lays each final piece down on a rack to cool, the blacksmith however, shakes his head, unsatisfied. Each piece, the same in length, has a slightly different weight. The hours pass by as he labor away, and finally produces a batch of final implements that meet his discerning eye.

Image via StatueCrafts

Image via StatueCrafts

Supreme craftsmanship in creating powerful yet exquisite tools defined the blacksmith of old. It was no wonder that around such skill and talent, myths and legends sprouted in abundance. Heralded as the artisan of the gods in Greek and Roman mythology, Hephaestus was a blacksmith whose forge was a volcano. In Germanic myths, Völundr was a heroic blacksmith who forged gorgeous gold rings inlaid with sparkling gems. Captured by a cruel king and sequestered on an island, Völundr exacted his revenge by killing the king’s sons, seducing his daughter and escaping on wings that he had forged. In ancient Japan, Masamune was a legendary blacksmith and swords with who not only constructed powerful weapons for samurais, but also taught his students the ways of warfare.

In times of war, having experienced blacksmiths that could create forge-welded axes, chisels, knives and spears, was indispensable. The blacksmith’s trade was not only exquisite to behold, but was also essential for survival.

With just a few tools available to him, such as bronze and later wrought iron and steel, the blacksmith, toiling for hours in his studio next to a blazing fire of charcoal, produced powerful tools for both agriculture and warfare. Creating a consistent temperature that was hot enough to weld the metal pieces, required a precise hand. Everything he did was dependent upon his expertise and careful craftsmanship. Replicating his work was not an easy task. It would take several centuries before the medieval blacksmith’s elegant work could ever be duplicated.

With the advent of the Industrial Revolution, the creation of more sophisticated tools and the availability of a larger labor force, the blacksmith could now create tools and implements much faster and replicate his work more easily. A craft once defined by a sole individual, can now be shared with a team. He also benefits from the modern assembly line and the ability to automate some work processes. Henry Ford’s remarkable invention of the everyday consumer’s automobile, the model T, building upon the original car developed by Carl Benz and founder of Daimler AG, is almost eclipsed by his creation of the modern assembly line — a methodology that surpassed all previous manufacturing up till that point in time.

Image of ‘Tony Stark’ in the Iron Man (2008), by Marvel

Image of ‘Tony Stark’ in the Iron Man (2008), by Marvel

The blacksmith of today is not limited by the same parameters of time or location. Modern advancements free him up to do what he loves best: to create. In many ways, he is right back at the drawing board, whether it is in his mind or conceptually laid out on paper or a computer screen, giving him the opportunity to create works that match his vision entirely.


Drawing Inspiration from Centuries of Craftsmanship

The word ‘create’ has long been associated with artisans, artistic endeavor and spiritual pursuits for eons. In terms of artisans, creating typically means building works of arts from scratch, that can be used for practical purposes such as pottery, wood frames and furniture. Artistic endeavor that does not fulfill a tangible, practical purpose, but an aesthetic one that inspires you, also falls under this description and is primarily attributed to works of art such as music, dance, sculpture and painting. In the Book of Genesis, in the Old Testament in the Bible, it says:

“Then God said, ‘Let us make man in our image, after our likeness; and let them have dominion over the fish of the sea, and over the birds of the air, and over the cattle, and over the earth, and over ever creeping thing that creeps upon the earth.’ So God created man is his own image, in the image of God he created him; male and female he created them.”
— Genesis 1:26-27, 2:22025
Michelangelo, Creation scenes, Sistine Chapel Ceiling, 1508-12, fresco (Vatican City, Rome)

Michelangelo, Creation scenes, Sistine Chapel Ceiling, 1508-12, fresco (Vatican City, Rome)

Creating is thus attributed to a divine act of God and thus a human being, when he or she creates, is thus imitating the will of God. During the height of the Renaissance movement in Europe, artistic creativity was at its peak. Artwork reflected a synthesis of these beliefs, with sculptures created idealistically to represent the best of humanity in the likeliness of God, while also revealing the artist’s hand.

Close up: Michelangelo, Delphic Sibyl, Sistine Chapel Ceiling, 1508-12, fresco (Vatican City, Rome)

Close up: Michelangelo, Delphic Sibyl, Sistine Chapel Ceiling, 1508-12, fresco (Vatican City, Rome)

Turning down one of Florence’s many winding streets today, you can see the descendants of ancient Etruscans who work with their hands to create individual works of art. The home of Leonardo da Vinci and Michelangelo, the city of Florence was once the heart of the Renaissance art movement. While Italy has changed dramatically, the Florentine bottega or workshop, even today reveals an atmosphere of passion and creativity, fueled by work by hand. These studios are often filled with ceramics, cameos, wood paintings and furniture today by amateur artists and antique restoration artists.

The difference today from our collective past is the opportunity at hand. The restrictions that previously limited creative growth are now lifted. An artist in Florence can continue to make wood paintings or sculptures in the tradition of old, while harnessing a new set of tools available through the web and via powerful software and computer systems.

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Workshop of La Vecchia Faenza where artisans use techniques and patterns from the 15th century. Photo by Andrea Piffari, Collezione Maramotti, Italy

Workshop of La Vecchia Faenza where artisans use techniques and patterns from the 15th century. Photo by Andrea Piffari, Collezione Maramotti, Italy


In the Last 150 Years: Accelerated Connectivity and Expanded Market Opportunities

In 1846, a twenty-seven year old man by the name of Elias Howe devised the first fully functioning sewing machine, available to the public. With that single invention, Howe revolutionized the clothing industry, giving birth to mass production of clothing quickly and lowering the barrier to entry. Later in 1884, after an embargo was imposed upon English clothing, Isaac M. Singer revised and produced the first electric sewing machine for personal use. A woman who used to make clothes for her family via the old-fashioned method of needle and thread and painstaking labor, could now set up her own shop and earn an income. The expansion of railroad lines all across the country, through the heartland, and into the frontier regions, offered larger opportunities where a tailor could ship goods from New York City to the West coast, thereby increasing market share substantially and earning a comfortable income.

One hundred and fifty years later, another invention would dramatically alter the course of human history, shaping social, cultural and economic dynamics. The personal computer, fully functional by 1976, changed the way people could communicate not only for work, but also for pleasure. The arrival and spreading of bandwidth on the Internet is akin to the expansion of the railroad, allowing the communication of information instantaneously. Just like the railroad enabled merchants to distribute clothing and other products to markets all over the country, dramatically increasing both market supply and demand with lower barriers to entry, bandwidth and wireless connectivity has enabled businesses to connect with consumers all over the world at a fraction of the previous cost, immediately. From a world of only tangible products with limited distribution, the economy has now evolved to where an individual located in a small town can reach a global audience.

The Gutenberg press for example, revolutionized the world of printing as monks no longer had to write out each word slowly through painstaking calligraphy. With the proliferation of presses, words could be reproduced in greater numbers and hence ideas of the world could be spread quickly, inexpensively and efficiently with greater larger areas of distribution and consistency. The Internet has further built upon and expanded upon these opportunities, enabling you to distribute your product or service beyond the confines of your town or city to national and international customers. The advent of such technologies, lowered barriers to entry and a seamless shortening of the innovation cycle, has enabled getting products and services out the door, faster than ever before.

“The central actor now is the consumer as the creator of his or her own world, and business better recognize that fast.”
— Peter Day, BBC's In Business reporter

A Need for Progress Studies and Pathways for Creativity

Looking at the course descriptions of university syllabi over the last twenty years, particularly in the last five years, you can see a remarkable difference. There is an increasing demand by students and changes made by younger faculty for courses that offer the ability to actually create. Only a few universities and colleges aim to answer this in any feasible way. Most formal education repeats the knowledge of the past, which is important to have. However, in order to understand how progress actually happens and how invention occurs, we need some methods of studying progress. How do we measure progress? How long does progress take? What accelerates progress? What holds progress back? What systems and practices exist today to nurture this?

Creativity is not something you can automate. However, we can nurture methods that foster creativity. What methods can be put together to encourage a culture of creativity and to facilitate the birth of new ideas? The importance of design-led culture and thus creativity through design, has gained traction in many high-performing companies. Patrick Collison, the founder of Stripe, a software infrastructure and payments company, and Tyler Cowen, an economics professor at George Mason University , examine this need for Progress Studies in this compelling article in The Atlantic.


What Does It Mean to Create Today?

In modern times, ‘to create’ means to bring something into existence. The word ‘create’ comes from the Latin verb creare, which means to produce. In Old English, the word create signifies forming out of nothing. What then does it mean to be a creator? A creator is thus someone who produces something new out of nothing. This can be anything — from traditional artistic media such as crafts, visual arts, music, poetry and architecture to a tangible or intangible (software for example) product or service or method of communication.

Creation of new ideas, technologies, systems and products have dramatically altered the way we communicate and work. They have radically improved our collective quality of life as human beings, as individuals and in relationship to one another. We build upon these strengths. We stand upon the shoulders of giants. We are free to pursue creative ideas because these inventions, systems and processes are available to us.


The 21st Century Makes Creation Easier, Faster and Builds Upon Centuries of Achievement

“Creators are in people in all of us whenever we go online.”
— Paul Saffo, of the Institute for the Future,

Over the last forty years, the Internet has spawned a global connectivity that has transformed the ways we do business, the ways we live and the ways we connect with each other. Each breakthrough has paved the way for new inventions and opportunities, big and small. Today we can harness sophisticated technology tools that alter our perceptions of time, location and connectivity. Many barriers to entry have also been lifted and as the innovation cycle shortens, it has become easier to take an idea from conception to execution than before. That does not deny the tremendous amount of effort required, but it does point to a change in how long it takes to execute an idea. The opportunity to engage in a global marketplace is unprecedented in its accessibility.

It took 100 years for electricity to be adopted by 60 million people worldwide. It took television thirteen years. It took Apple’s App Store just 13 months to reach that milestone. If the Industrial Revolution was transformative, consider how much the App economy has changed the world.

This is the opportunity inherent in today’s creator economy. This vast opportunity comes with its own challenges, but attracts individuals with ambition and a deep desire to create, whether it is on their own or with a company or a team united in purpose. Will you seize it?

 
tags: industry insight, creativity, craftsmanship, Isaac Singer, Hephaetus, blacksmith, art, invention, creativity online, creation, progress
categories: Industry Insight
Sunday 11.15.20
Posted by Elf
 

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